[link to original on tumblr]
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Last May, while doing a different project, I noted how the ABA form of the piece goes well with the mental states of the speaker/singer, but including that heartbeat rhythm makes it even better. This isn't the only instance of a lyrically-conscious bass part on the album either; the bass part in "The Raven" has a three-note phrase that's apparently meant to resemble the three syllables of "nevermore."