Instead of trying to match the original recording, I just set up a click track and played the parts to that, which is why my recording doesn't have the ritardando at the end.
Friday, September 15, 2017
"The Ace of Swords"
Last month, I learned the bass and string parts (or at least one of the string parts) for the introduction in "The Ace of Swords," so I added them to the harpsichord and oboe parts I already knew. Of course, after I recorded this, I realized that I played the string part an octave too low. There's still a clavinet part I have to learn, so once I get that, I'll update this again and try to remember to put the string part in the correct octave.
Instead of trying to match the original recording, I just set up a click track and played the parts to that, which is why my recording doesn't have the ritardando at the end.
Instead of trying to match the original recording, I just set up a click track and played the parts to that, which is why my recording doesn't have the ritardando at the end.
Labels:
recordings,
The Ace of Swords
Friday, September 8, 2017
"The Eagle Will Rise Again"
Back in March, I figured out the ascending, arpeggiated keyboard part in "The Eagle Will Rise Again" (I'm still not exactly sure what instrument it's played on, but I think it's virginal). I've been slowly writing out the notation for it (doing it piecemeal), and I recently remembered that (back in June) I figured out the high violin part in the fourth verse. I haven't been recording examples unless I know at least two parts, and here I've had two parts for "The Eagle Will Rise Again" for a few months.
My recording is the third verse (just the keyboard part) and the fourth verse (the keyboard part and the violin part). The closest I could get to virginal was the harpsichord setting on my keyboard, and I used the violin setting for the violin part, which is why I don't have the glissandi between some notes.
Labels:
recordings,
The Eagle Will Rise Again
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